
The Pebble smartwatch may be about to make a comeback under its original creator, Eric Migicovsky. CC-licensed photo by Orde Saunders on Flickr.
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No Substack post this week. (Apologies for any dashed expectations.)
A selection of 9 links for you. Watching closely. I’m @charlesarthur on Twitter. On Threads: charles_arthur. On Mastodon: https://newsie.social/@charlesarthur. On Bluesky: @charlesarthur.bsky.social. Observations and links welcome.
Asteroid 2024 YR4 could strike Earth, researchers say, but the odds are small • The New York Times
Robin George Andrews:
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You may hear about a large asteroid headed toward Earth. Don’t panic.
Just after Christmas Day, astronomers spotted something zipping away from Earth: a rock somewhere between 130 feet and 330 feet long that they named 2024 YR4. Over the next few weeks, they simulated its possible future orbits. They now say, based on the most up-to-date information, that there is a 1.3% chance that this asteroid will strike somewhere on Earth on Dec. 22, 2032.
Should this keep you up at night?
“No, absolutely not,” said David Rankin, a comet and asteroid spotter at the University of Arizona.
The object’s current odds of striking Earth may sound scary — and it’s fair to say that an asteroid in this size range has the potential to cause harm. Should it strike a city, the damage would not cause anything close to a mass extinction, but the damage to the city itself would be catastrophic.
But a 1.3% chance of a hit is also a 98.7% chance of a miss. “It’s not a number you want to ignore, but it’s not a number you need to lose sleep over,” Mr. Rankin said.
And the odds may diminish over time, as astronomers gather new data about the object.For now, experts say, calm is warranted. The asteroid has been spotted several years ahead of its close shave with Earth — and that’s a good thing.
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Honestly, asteroids really need to make their minds up. Are they lifebringers (Bennu, yesterday) or civilisation destroyers (this one)?
Hoping we aren’t in Don’t Look Up territory.
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Meta agrees to pay $25m to settle lawsuit from Trump after Jan. 6 suspension • AP News
Zeke Miller and Aamer Madhani:
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Meta has agreed to pay $25m to settle a lawsuit filed by President Donald Trump against the company after it suspended his accounts following the Jan. 6, 2021, attack on the Capitol, according to three people familiar with the matter.
It’s the latest instance of a large corporation settling litigation with the president, who has threatened retribution on his critics and rivals, and comes as Meta and its CEO, Mark Zuckerberg, have joined other large technology companies in trying to ingratiate themselves with the new Trump administration.
The people familiar with the matter spoke on the condition of anonymity Wednesday to discuss the agreement. Two of the people said terms of the agreement include $22m going to the nonprofit that will become Trump’s future presidential library. The balance will go to legal fees and other litigants, they said.
The Wall Street Journal was first to report on the settlement.
Zuckerberg visited Trump in November at his private Florida club to try to mend fences with the incoming president, something other technology, business and government officials have done as well. At the dinner, Trump brought up the litigation and suggested they try to resolve it, kick-starting two months of negotiations between the parties, the people said.
…Trump filed the lawsuit months after his first term ended, calling the action by the social media companies “illegal, shameful censorship of the American people.”
Twitter, Facebook and Google are all private companies, and users must agree to their terms of service to use their products. Under Section 230 of the 1996 Communications Decency Act, social media platforms are allowed to moderate their services by removing posts that, for instance, are obscene or violate the services’ own standards, so long as they are acting in “good faith.” The law also generally exempts internet companies from liability for the material that users post.
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Trump’s “presidential library”? That’s going to be quite the telephone box. Clearly, Trump said “pay” and Zuckerberg said “how much?”
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Books written by humans are getting their own certification • The Verge
Jess Weatherbed:
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The Authors Guild — one of the largest associations of writers in the US — has launched a new project that allows authors to certify that their book was written by a human, and not generated by artificial intelligence.
The Guild says its “Human Authored” certification aims to make it easier for writers to “distinguish their work in increasingly AI-saturated markets,” and that readers have a right to know who (or what) created the books they read. Human Authored certifications will be listed in a public database that anyone can access. The project was first announced back in October in response to a deluge of AI-generated books flooding online marketplaces like Amazon and its Kindle ebook platform.
Certification is currently restricted to Authors Guild members and books penned by a single writer, but will expand “in the future” to include books by non-Guild members and multiple authors. Books and other works must be almost entirely written by humans to qualify for a Human Authored mark, with minor exceptions to accommodate things like AI-powered grammar and spell-check applications.
…CEO Mary Rasenberger said in a statement on Wednesday: “Authors can still qualify if they use AI as a tool for spell-checking or research, but the certification connotes that the literary expression itself, with the unique human voice that every author brings to their writing, emanated from the human intellect.”
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OK, and how is this going to be enforced? (Thanks Gregory B for the link.)
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Why we’re bringing Pebble back • Eric Migicovsky
Migicovsky was behind Pebble, the most successful crowdsourced hardware product ever back in 2012:
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You’d imagine that smartwatches have evolved considerably since 2012. I’ve tried every single smart watch out there, but none do it for me. No one makes a smartwatch with the core set of features I want:
• Always-on e-paper screen (it’s reflective rather than emissive. Sunlight readable. Glanceable. Not distracting to others like a bright wrist)
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Long battery life (one less thing to charge. It’s annoying to need extra cables when traveling)
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Simple and beautiful user experience around a core set of features I use regularly (telling time, notifications, music control, alarms, weather, calendar, sleep/step tracking)
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Buttons! (to play/pause/skip music on my phone without looking at the screen)
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Hackable (apparently you can’t even write your own watchfaces for Apple Watch? That is wild. There were >16k watchfaces on the Pebble appstore!)Over the years, we’ve thought about making a new smartwatch. Manufacturing hardware for a product like Pebble is infinitely easier now than 10 years ago. There are plenty of capable factories and Bluetooth chips are cheaper, more powerful and energy efficient.
The challenge has always been, at its heart, software. It’s the beautifully designed, fun, quirky operating system (OS) that makes Pebble a Pebble.
PebbleOS took dozens of engineers working over four years to build, alongside our fantastic product and QA teams. Reproducing that for new hardware would take a long time.
Instead, we took a more direct route – I asked friends at Google (which bought Fitbit, which had bought Pebble’s IP) if they could open source PebbleOS. They said yes!
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Pebble crashed in 2016 and was sold to Fitbit, which then sold itself to Google, which is how Google wound up with the Pebble software.
Migicovsky is going to get the band together again. (Well, a new band, but playing many of the old songs.) This is going to be interesting: he’s a very capable entrepreneur who looks for gaps (he ran the “we can do iMessage on Android” startup Beeper, since sold) and exploits them.
This could be interesting. Meanwhile, over at the hardware division of Google…
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Google announces ‘voluntary exit program’ for Pixel, Android team • 9to5 Google
Abner Li:
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Last year, the teams responsible for Pixel hardware and Android software were merged into one division, and Google today announced a “voluntary exit program” for employees working in the Platforms & Devices group.
SVP Rick Osterloh sent out a memo to employees Thursday morning about the “voluntary exit program,” and the company confirmed to 9to5Google that this is happening.
This program applies to US employees working on Platforms & Devices, which includes Android (Auto, TV, Wear OS, XR), Chrome, ChromeOS, Google Photos, Google One, Pixel, Fitbit, and Nest. Google has many people around the world working on these products, but today’s announcement is just for those stateside.
Meanwhile, this is not a company-wide offer that applies to Search, AI, or other groups, though Alphabet’s new CFO last October said “driving further efficiencies” was a key priority.
Separately, software and hardware were already two very large organizations, with some overlap. Now that things have settled in recent months, employees have a better idea of their roles. Osterloh said the division received questions about the possibility of voluntary exits since the Pixel-Android merger. Not offering people the option to leave in advance was a complaint about how Google handled past layoffs.
The memo frames this exit program as being beneficial for those who might not be aligned or passionate about the combined organization’s mission or are having difficulty with their roles, and hybrid working requirements.
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Very obvious where Google’s priorities now lie. The Pixel was never going to set the (sales) world on fire; and Android is no longer required to make giant leaps, unlike a decade or so ago.
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Deep impact • Where’s Your Ed At
Ed Zitron, in his standard prolix style:
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The current models developed by both the hyperscalers (Gemini, Llama, et. al) and multi-billion-dollar “startups” like OpenAI and Anthropic are horribly inefficient. I had just made the mistake of assuming that they’d actually tried to make them more efficient.
What we’re witnessing is the American tech industry’s greatest act of hubris — a monument to the barely-conscious stewards of so-called “innovation,” incapable of breaking the kayfabe of “competition” where everybody makes the same products, charges about the same amount, and mostly “innovates” in the same direction.
Somehow nobody — not Google, not Microsoft, not OpenAI, not Meta, not Amazon, not Oracle — thought to try, or was capable of creating something like DeepSeek, which doesn’t mean that DeepSeek’s team is particularly remarkable, or found anything new, but that for all the talent, trillions of dollars of market capitalization and supposed expertise in America’s tech oligarchs, not one bright spark thought to try the things that DeepSeek tried, which appear to be “what if we didn’t use as much memory and what if we tried synthetic data.”
And because the cost of model development and inference was so astronomical, they never assumed that anyone would try to usurp their position. This is especially bad, considering that China’s focus on AI as a strategic part of its industrial priority was no secret — even if the ways it supported domestic companies was. In the same way that the automotive industry was blindsided by China’s EV manufacturers, the same is now happening to AI.
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DeepSeek, for those who didn’t know, was a side project from a hedge fund. The Zitron piece is not short; I often think he’d benefit from a brutal editor or a word limit.
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The unflattening of music • Midia Research
Mark Mulligan:
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by pulling consumption, creation, and monetisation closer together than ever before, streaming has transformed the tense but often distant relationship between business and culture into one that now resembles a single entity. People make, and are encouraged to make, music that feeds the machine. This has resulted in what is often referred to as the flattening of music, which is most visible in the rise of ‘functional music’ and of the song over the artist. It is a process that can feel both inevitable and unstoppable.
…[But] we are already seeing more artists going non-DSP [digital streaming platform] (e.g,. Ricky Tinexz, SEIDS, Mary Spender), triggering the start of the bifurcation of the music business, with an emerging generation of creators bypassing streaming entirely. Meaning that the foundations of tomorrow’s music culture are being laid elsewhere. It may only be a trickle for now, but already, one of the most critically acclaimed albums of 2024, Cindy Lee’s Diamond Jubilee, was pointedly not released onto streaming. How long before the trickle of streaming exiles becomes a flood?
What makes the non-DSP world so important for the unflattening of music is not the absence of algorithm (because there are plenty of those there too) but: a) the diversity of models (bandcamp, TikTok, SoundCloud) and b) being different and distinct is a feature not a bug.
…Yesterday’s artists’ influences stemmed from inherently limited sources (their parents’ and friends’ record collections, their local record store, etc.). Today’s can listen to virtually every song ever written. The history of music is a steady evolution, with each generation of genres imitating and innovating the previous one. Now, creators can pull from over a hundred years’ worth of popular music, thousands of genres and millions of artists to create their own, unique take on just what music is.
Streaming may have made itself the (flattened) establishment –but the thing about the establishment is that culture almost always rebels against it.
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I was in my local (vinyl) record shop the other day: the owner told me the Big New Thing now is releasing songs on cassette.
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London to New York in 3.5 hours: how Boom Supersonic is learning from Concorde’s mistakes • Euronews via MSN
Joanna Bailey:
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The company has developed its own engine solution that it says will reduce fuel consumption. These engines are designed to run on 100% sustainable aviation fuel which, although not available at scale yet, would further reduce its environmental impact.
Overture hasn’t quite managed to eliminate the sonic boom effect, but thanks to more optimised aerodynamics, the impact will be reduced significantly. The company promises that Overture will be able to fly over land at Mach 0.94, about 20% faster than subsonic aircraft, without breaking the sound barrier.
For now, the supersonic aircraft would be restricted to breaking the sound barrier over water. Boom says there are more than 600 transoceanic routes on which Overture could provide a supersonic solution without changing current regulations relating to sonic booms.
“Overture was created to achieve optimal performance while meeting our stringent safety and sustainability requirements,” says Boom Supersonic. “We are leveraging more than fifty years of advancements in aerodynamics, materials, and propulsion to build economically and environmentally viable supersonic aeroplanes”.
But what of the market demand? By the end of Concorde’s lifespan, British Airways said it was selling only around half of its available tickets. Air France, still suffering from the tragic crash in 2000, was selling less, only around 35%.
Concorde’s ticket prices were up there in the ultra-luxury category. In contrast, Boom is targeting business travellers, and pricing seats accordingly. Early estimates suggest a round trip Europe to USA ticket for around $5,000 (€4,800), in the ballpark of what passengers pay for business class seats on regular jets today.
“Today, there’s both the market demand and the technology to enable mainstream supersonic travel,” the company says. “Business and leisure travel has continued to grow, and travellers are willing to pay for speed.”
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I flew on Concorde once (at Oracle’s expense: a circular trip just to experience it). It was cramped and low-ceilinged. Boom seems to have learnt from that. And the demand for flights – especially across the Pacific from the US west coast – is probably going to be there, if it has sufficient range. Never say never: some ideas just need to happen at the right time.
Then again, I wrote about the Concorde crash in 2000. It only takes one accident like that to kill a class of travel.
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An illustrator’s review of the iPad Pro and Apple Pencil • Fantastic Maps
Jonathan Roberts, back in 2015:
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I would have settled for the iPad Pro being a really nice sketching tool – but what I’ve discovered is that the iPad Pro, the Pencil, and Procreate, get me 95% to a final illustration, and quicker than I would get there on my desktop.
In many respects, this is better than working in Photoshop on my Mac. I never expected to say that. The last 5% is due to the pieces that Procreate doesn’t do, that Photoshop does – text, labels, some of the more advanced features. So that’s software, not hardware – and I expect the app store will get a lot more firepower very quickly once developers really get to grips with the Pro.
This is a serious piece of kit that will find a central place in an illustrators workflow – but it will not replace a desktop.
The iPad Pro is big, but treads lightly. It’s not bulky, and when drawing I can easily rest it on my lap and hold it up with one hand, whilst drawing with the other. I’ve used this for drawing solidly for 2+ hours in coach, and didn’t have any tiredness, or muscle pain. I couldn’t even say that about the iPad 2 which somehow felt more cumbersome than this.
The screen is beautiful, crisp, and bright. The thickness of the glass is basically unnoticeable. This is a lovely refinement for general use, but it’s key for illustration. If the glass has a visible offset from the screen, then your drawing precision changes with your viewing angle. Not here, the pen tip looks like it’s right on your illustration.
It does take a while to charge – no great surprise given that a lot of the extra size is given to a larger battery. Many reviews say that this can last for days. I don’t agree. Using Procreate and the Pencil (which uses Bluetooth, and increases screen sampling rates) the battery dropped to 20% over the course of the day. If you’re using this heavily, you’ll be charging this every night – but that workflow is fine for me. The one hardware niggle I found was that when I leave it plugged in overnight it sometimes requires a hard restart to wake up. That’s surprising, but may just be my one.
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Earlier this week I posted a link about the iPad’s tenth anniversary and wondered who it was really good for. Via Matt L, here’s the answer: illustration, which is was already good for ten years ago.
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| • Why do social networks drive us a little mad? • Why does angry content seem to dominate what we see? • How much of a role do algorithms play in affecting what we see and do online? • What can we do about it? • Did Facebook have any inkling of what was coming in Myanmar in 2016? Read Social Warming, my latest book, and find answers – and more. |
Errata, corrigenda and ai no corrida: none notified








